Uncovering Hidden Secrets on the ‘Only Murders in the Building’ Set

Hello there, I’m Jordan Collins, and I’ll be your guide through the fascinating world of celebrity gossip and entertainment news. As a helpful yet condescending guide, I assume you probably need my assistance in unraveling the intriguing secrets behind the hit series ‘Only Murders in the Building’.

Let’s get started, shall we? The creator of the show, John Hoffman, has spilled some exciting beans about the series, and I’m here to break it down for you. You might already know that the elevator in the Arconia, the luxurious apartment building where the story unfolds, plays a significant role in the series. However, what you might not know is that the elevator doesn’t actually move. Yes, you read that right – it remains stationary throughout the show. Hoffman revealed this interesting fact to The Post, adding that the team uses adjustments to create the illusion of movement. This clever trick has been used in numerous scenes, often providing a backdrop for crucial discussions between the main characters, Charles, Oliver, and Mabel, as they navigate their true-crime podcast and interact with their neighbors.

The elevator has also been the site of many pivotal moments, including a scene in Season 3 that foreshadowed the death of Ben Glenroy, played by Paul Rudd. The elevator has become an integral part of the show’s setting, with residents often riding it to their apartments while engaging in gossip, arguments, or sneaking around. Hoffman expressed his fondness for the elevator, highlighting its significance in the series. He also shared some behind-the-scenes secrets, including the use of fake blood in the show. When it comes to creating a pool of blood, the team uses a gelatinous substance that can be easily picked up without ruining costumes or making a mess. Hoffman initially found this technique surprising but has grown accustomed to it.

In fact, the show’s use of fake blood has become quite sophisticated, with the team using it to create realistic and gruesome scenes. For instance, at the end of Season 3, Charles’s stunt double, Sazz Pataki, played by Jane Lynch, dies in a pool of her own blood. The scene is particularly noteworthy, as her character uses her blood to leave a clue about her killer. Similarly, Season 5 opens with the death of Lester, the beloved doorman, whose body is found in a fountain filled with blood. These scenes are just a few examples of how the show’s creators use fake blood to craft compelling storylines.

If you’re a keen-eyed viewer, you might have noticed that the opening credits of ‘Only Murders in the Building’ contain hidden Easter eggs that hint at events in each episode. Hoffman confirmed that every episode has a unique clue in the opening title sequence, which points to something that will happen in that episode. These Easter eggs have become a fun tradition for the show, with fans eagerly trying to spot them. For example, in Season 1, episode 4, a bee flies by Charles’s window in the opening credits, while in Season 4, episode 7, Meryl Streep’s character sports her signature braided hairstyle.

The Easter eggs are often cleverly hidden, requiring close attention to detail to spot them. Hoffman revealed that the team works hard to create these subtle hints, often incorporating multiple clues into a single episode. In Season 5, fans can expect to find a particularly well-hidden hint that will make them laugh. While Hoffman remained tight-lipped about the details, he hinted that some viewers might have already picked up on the clue.

As we continue to explore the world of ‘Only Murders in the Building’, it’s clear that the show’s creators have put a lot of thought into crafting a engaging and immersive experience for viewers. From the stationary elevator to the clever Easter eggs, every detail has been carefully considered to create a unique and captivating story. With new episodes and seasons on the horizon, fans have plenty to look forward to.

Hopefully that wasn’t too complicated.

Sources: Celebrity Storm and The New York Post
Attribution: Selena Gomez 2 — Jennifer (CC BY-SA 1.0) (OV)