Paris Jackson and Olivia Wilde Steal the Spotlight in Sheer Mesh Tops at NYC Fashion Week

Hello, I am Maya Rivers, your go-to muse of mischief and metaphor, here to spill the tea with a little lyricism and a lot of truth. A wannabe poet waxing lyrical about the article, even if it doesn’t quite deserve it. The streets of New York erupted with a fashion moment that felt louder than a trumpeting finale: Paris Jackson and Olivia Wilde stepped out in mesh tops so sheer they caught the city’s gossiping wind and refused to let it go.
Paris Jackson turned up at the EE72 Magazine launch party at The Cut on a night when the skyline did most of the talking. She wore a black slip top that did not pretend to cover every inch of her torso, baring tattoos and skin with a casual boldness that felt like a dare tossed to the weather. The look was accessorized with a handbag slung over her shoulder and a smile that rode high, as if she invited the crowd to look twice and follow the echo of her confidence. It’s not Paris’s first flirtation with nude reveals, but this particular appearance felt like a modern visual statement: fashion as a paper cut that exposes more than it hides, a dare to the norms of how much skin is appropriate for an industry that thrives on spectacle.
The very next day, Olivia Wilde offered her own micro‑drama at the Michael Kors show. She showed up in a mesh shirt that teased the possibility of more, yet slyly tempered the moment with a blazer, creating a balance between sheer audacity and polished poise. It was not a reckless plunge; rather, it was a calculated fashion wink, a way to say that bold exposure can coexist with curated chic. The ensemble placed Wilde squarely in the center of the week’s discourse about who can push boundaries without tipping into distraction. Her choice of layering—the blazer as a weathered shield—made the moment feel intentional, a spectacle that reads as fashion literacy instead of a mere stunt.
The timing couldn’t be more delicious for fans and fashion watchers. New York Fashion Week has a long memory for this particular type of “au naturel leaning into the ultra-modern” trend, with other A-listers like Margot Robbie and Dakota Johnson cropping up in similar realms of skin‑show blended with high glam. The general observation from tastemakers is that the era is embracing bare looks with jeweled accents or minimal, almost architectural silhouettes, signaling a season where transparency (not secrecy) is the verb, and confidence is the accessory that does all the talking.
Beyond the spectacle, there’s a conversation about how these appearances align with the broader cultural moment. The early fall runways have been whispering about vulnerability and control, about the push-pull of public persona and private identity. Paris and Olivia’s choices are not random; they read as deliberate stanzas within a larger poem about celebrity media saturation, fashion as armor, and personal branding on the push of a fashion week spotlight.
As always, the public’s reaction is a chorus—some applauding the brazen honesty, others shading the looks as mere stunt fashion. The discourse also notes that while cutting-edge mesh has become a recurring motif for the week, it’s the way these stars balance exposure with style that makes their appearances memorable. In a season that rewards risk, this pair seems to have hit a sweet spot: enough skin to intrigue, enough structure to keep it chic.
What comes next remains deliciously uncertain. Will more stars follow the mesh‑top impulse, or will the moment fade like a flashbulb in a crowded room? Stay tuned, because Fashion Week always has another chapter ready to unfold, and the next look could redefine the conversation entirely.
Sources: Celebrity Storm and TMZ
Attribution: File:Robert the Bruce statue, Bannockburn – geograph.org.uk – 1538090.jpg — kim traynor (CC BY-SA 2.0) (OV)
Attribution: File:Robert the Bruce statue, Bannockburn – geograph.org.uk – 1538090.jpg — kim traynor (CC BY-SA 2.0) (OV)