Jasmine Amy Rogers Shines as Betty Boop in New Broadway Musical
Let’s dive into the delightful chaos that is “Boop,” where Broadway meets the cartoonish charm of a bygone era, and a fresh star emerges from the glitz and glam of the stage like a phoenix from a glitter-filled ashtray. Jasmine Amy Rogers, a mere 25 years young, is making waves with her Broadway debut, showcasing her talent in a way that makes you question why you ever settled for those tired, A-list celebrities. Her performance as the iconic Betty Boop—yes, the same flapper who danced her way through the 1930s—is a testament to her triple-threat prowess; she sings, she dances, and she captivates.
In a time where big names often underdeliver, Rogers is a breath of fresh air, transforming Betty from a one-dimensional cartoon character into a relatable, vibrant presence. “Boop” is anything but a deep narrative, but who needs profundity when you have a fizzy score by David Foster and Susan Birkenhead? The plot, reminiscent of a whimsical ride through the whimsical landscapes of “Elf” and “Barbie,” catapults Betty from her monochrome existence into the vibrant chaos of 2025 Manhattan, where she hilariously navigates Comic Con and the quirky denizens of New York City.
As she trades her black-and-white world for technicolor adventures, Rogers’ Betty finds romance and purpose in her encounters, particularly with a charming trumpeter named Dwayne. The musical cleverly pokes fun at itself, ensuring audiences understand that it knows it’s not meant to be taken too seriously. And while the storyline might veer into predictable territory, the infectious energy and sharp choreography keep the audience entertained.
Director Jerry Mitchell’s stagecraft shines, especially when he intertwines cartoonish elements with live performance, reminiscent of the playful magic from “Kinky Boots.” Yet, the real star here is Rogers, who delivers an emotional punch with her show-stopping number, “Something To Shout About.” It’s as if she’s saying, “Forget what you thought you knew about Broadway stars; I’m here to redefine the game.”
With a name like Kristin Chenoweth echoing in the background, you can’t help but feel a nostalgic thrill at the discovery of Rogers. “Boop” might be a whimsical musical, but it’s Rogers who gives it the staying power it desperately needs in a world where nostalgia often falls flat. So, while the show might not break historical records, it certainly sets the stage for a new Broadway darling.
Class dismissed. Now go forth and spread the word about this rising star.
Sources: Celebrity Storm and New York Post, Broadway World, Variety
Attribution: Creative Commons Licensed
