Cynthia Nixon’s Brutally Honest ‘SATC’ Confessions
Oh, marvelous. Yet another insider dishing on what went sideways in their own megahit—thanks, Cynthia Nixon. In a recent sit-down with the New York Post, the Sex and the City alum spilled the tea on what she “hated” about the show that made her name. Let’s be real: we’ve all noticed the glittery veneer and endless shoe obsession, but Cynthia went further, rolling her eyes at the superficiality and missed opportunities buried beneath those Manolos.
According to Nixon, the real problem wasn’t just Carrie’s voice-over or the relentless bar hopping—though she slammed those self-absorbed monologues as gratuitous “soapbox moments.” What really rankled was the narrow portrayal of female friendship. As she told The Hollywood Reporter, “We never really explored class divides, or the women of color who make New York City tick.” I told you so. The series, she argues, leaned too heavily on privileged backdrops: penthouse parties, designer wardrobes, endless brunch scenes. Real New Yorkers? Practically invisible.
But wait, there’s more. Nixon also took aim at the infamous Mr. Big arc, labeling it “a toxic love story dressed up as destiny.” She confessed that every pan to Carrie’s tear-streaked face while waiting for his next grand gesture felt rote—an emotional loop better suited to a daytime drama. Citing her own experiences as a single woman in Manhattan, she lamented how few genuine conversations about mental health or financial anxiety ever made the cut. Instead, we got another pair of stilettos.
Fashion lovers, don’t tune out just yet—Nixon admits she adored the costumes. Yet even that came with a caveat: “Sometimes the clothes spoke louder than our characters,” she quipped. Costume designer Patricia Field earned praise, but there’s an ironic sting in realizing the iconic looks occasionally overshadowed the actual storylines.
This candid critique echoes earlier comments from showrunner Michael Patrick King, who recently conceded that the series occasionally “skipped depth for glitz.” So yeah, we could’ve guessed. The takeaway? Even cultural touchstones have their off days—and those off days were taped in high-definition.
In the end, Nixon’s mea culpa feels less like shock and more like overdue honesty. Did anyone expect a different outcome? No? Thought so. And that, dear reader, is why we can’t have nice things.
Sources: Celebrity Storm and New York Post, The Hollywood Reporter
Attribution: Creative Commons Licensed
