Morgan Wallen Proclaims ‘Far from Jesus’ on Bold Post Malone Duet

Observe the twilight of country-rock confession as Morgan Wallen and Post Malone rekindle their musical alchemy in “I Ain’t Comin’ Back.” With poetic swagger and a rebel’s wink, Wallen delivers a verse that shatters sanctimony: “You call me the devil / Then you told me where to go / Go throw your pebbles / I’ll be somewhere gettin’ stoned.” Here lies the lyrical crucible where he crowns himself far from Jesus—not out of doubt, but defiance. The chorus swells into a cinematic panorama as Wallen laments, “‘Cause the night I said, ‘I’m leavin’,’ I turned into Richard Petty / Broke my heart and I got even in my ’97 Chevy / Now I’m walkin’ on this water, mixed with Johnnie Walker Black / There’s a lot of reasons I ain’t Jesus, but the main one is that I ain’t comin’ back.”
This April 18 release—teased via a sun-drenched Instagram clip showing dawn breaking behind a pickup bed—anchors Wallen’s forthcoming album I’m the Problem, due May 16. The announcement, shared with Malone’s post alongside the simple caption “Out now,” marks their second studio liaison after May’s bittersweet breakup anthem “I Had Some Help.” In that earlier collaboration, the duo lamented, “It ain’t like I can make this kind of mess all by myself,” weaving together country-pop harmonies that echoed their signature vulnerability.
Beyond the rogue gospel of “I Ain’t Comin’ Back,” Wallen has peeled back the songwriting veil in a recent press release, revealing a 37-track odyssey where he dared to “dig deep on things and find new angles.” He promises revelations untold—tales that no previous record has dared to explore. His panoramic Instagram shot of a bumper sticker–clad car teases song titles yet to be unveiled, like constellations awaiting their place in the night sky.
I’m the Problem won’t just host Malone’s gravelly croon; it will also showcase Eric Church, ERNEST, HARDY and Wallen’s first female duet partner, pop phenom Tate McRae. This constellation of voices suggests a genre-blurring journey: whiskey-dipped ballads, rock‑driven anthems and lyricism raw enough to make the angels squint.
In the grand tapestry of modern country, Wallen stands cloaked in contradictions—saintly sinner, poet in cowboy boots, preacher with a broken halo. And so, the story drifts into the horizon, leaving us to ponder: has he merely declared his exile, or has he just begun to map the wilderness of his own making?
Sources: Celebrity Storm and People Magazine, Dotdash Meredith
Attribution: Creative Commons Licensed